Books and Invited Book Chapters
Performing Choreographies of Spatial Labour as Critical Spatial Practice, Critical Practices in Architecture: The Unexamined, Jonathan Bean, Susannah Dickinson and Aletheia Ida, Editors, Cambridge Scholars Publishing, 2020.
Bringing Performativity into Architectural Pedagogy, Performing Architectures: Contemporary Projects, Practices and Pedagogies, Andrew Filmer and Juliet Rufford, Editors, Methuen Drama – Engage Series, 2018.
Stage and Auditorium, The Routledge Companion to Scenography, Arnold Aronson, Editor, Routledge, 2017.
Ground|Water: The Art, Design + Science of A Dry River. (2012) Ellen McMahon, Ander Monson, and Beth Weinstein, Editors. Tucson : Confluencenter for Creative Inquiry/University of Arizona Press.
Turned Tables: Public as Performers in Jean Nouvel’s Pre-Performance Spaces, Architecture as a Performing Art, Marcia F. Feuerstein and Gray Read, Editors, Ashgate Press (2013), 163-176.
Performance Space: Distributed and Consolidated, Disappearing Stage: Reflections on the 2011 Prague Quadrennial, Arnold Aronson, Editor, The Theater Institute (2012), 60-73.
Peer Reviewed Articles
Installing Performances of Spatial Labour, Platform: Journal of Theater and Performing Arts, 14:1&2 (Autumn 2020), 117-130.
Erasing, Obfuscating, and Teasing out from the Shadows: performing/installing the camps’ (in)visibilities, Performance Research Journal (PRJ) 24.7: On Disappearance. (forthcoming)
Performances of Spatial Labor: Rendering the (In)visible Visible, Journal of Architectural Education, 73:2 (2019), 230-239.
Intern[ed]: Between Past & Present, Invisible & Made Visible, (un)Mediated & Performed, Crossing Between the Proximate and the Remote: Proceedings from the 2017 ACSA Fall Conference.
Othering and Othered, [TRANS-]ient, issue 03 (May 2017), 73-86. 50% co-author with Ana Martínez.
SHUTTLING (co-authored with Mick Douglas and James Oliver). JAR 9, December 2015.
Setting and Unsettling the Stage, Expending the Periphery: Proceedings from the 103rd ACSA Annual Meeting (2015).
Performing Architectures: Closed and Open Logics of Mutable Scenes, Performance Research Journal 18.3 : On Scenography.
High and Dry: Performances Around Water’s Absence, New Constellations, New Ecologies: Proceedings from the 101st ACSA Annual Meeting (2013).
Building Complexity: Local Natural Systems and Global Principles. Design Principles and Practices: An International Journal, Vol. 5, Issue 5 (2011), 499-510. 50% co-author with Christopher Domin.
SHiFT: A Performed Re-interpretation of Visionary Theater. Journal of Architectural Education, 64:1 (2011), 87-98.
Turned Tables: Public as Performer. Where Do You Stand, Proceedings from the 99th ACSA Annual Meeting (2011), 58-65.
Performative Opportunities within the Parametric. Spatial Phrases, SEAM 2009 Transcripts (2009), 204-217.
Flamand and his Architectural Entourage. Journal of Architectural Education 61:4 (2008), 25-33.
Beyond Silent Running. Visionaries in the Margins: Proceedings from the 96th ACSA Annual Meeting (2008), 135-143.
Thinking/Drawing from Peripheral Vision: Techniques + Approaches Learned from Miralles. Fresh Air: Proceedings from the 95th ACSA Annual Meeting (2007), 833-838.
Radical Bodies: NYPL exhibition explores how three choreographers impacted the art world, political activism, feminism, and more. The Architect’s Newspaper, June 16, 2017.
Prone to Collapse: a work and working through expanded and critical practices, The Center for Sustainable Practice (CSPA) Quarterly, no. 16 (2017), 22-27.
TRANS-plant, [TRANS-]Loci, issue 01 (May 2015), 6-9.
The Collaborative Legacy of Merce Cunningham. Places, Nancy Levinson, ed., March 7, 2011.
Creating the Modern Stage: Designs for Theater and Opera. Architect’s Newspaper, NE Ed V.13 July 29, 2009
Noémie + Frank: A Duet. Architect’s Newspaper, NE Edition V.18, Nov. 05, 2008