architecture + dance resources

Bibliography

Architecture || Dance Bibliography (a work in progress)

• Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance. 2d ed. Middletown, CT: Wesleyan University Press, 1987.

• Birringer, Johannes. “Dance and Media Technologies,” PAJ: A Journal of Performance and Art, Vol. 24, No. 1, Intelligent Stages: Digital Art and Performance (Jan., 2002), pp. 84-93

• Brown, Carol, and others. “Four Key Discoveries: Merce Cunningham Dance Company at Fifty; A discussion with Carolyn Brown, Merce Cunningham, Laura Kuhn, Joseph V. Melillo, Thecla Schiphorst, and David Vaughan”

• Brown, Trisha. “Three Pieces,” The Drama Review: TDR, Vol. 19, No. 1, Post-Modern Dance Issue (Mar., 1975), pp. 26- 32

• Brandstetter, Gabriele; Marta Ulvaeus. “Defigurative Choreography: From Marcel Duchamp to William Forsythe.TDR (1988-), Vol. 42, No. 4. (Winter, 1998), pp. 37-55.

• Childs, Lucinda. “Lucinda Childs.” In Further Steps: Fifteen Choreographers on Modern Dance, edited by Connie Kreemer. New York: Harper and Row, 1987, 95-105.

• Childs, Lucinda, and Anne Livet. “Lucinda Childs: Edited Transcript of an Interview with Trisha Brown.” In Contemporary Dance : An Anthology of Lectures, Interviews and Essays With Many of the Most Important Contemporary American Choreographers, Scholars and Critics, edited by Anne Livet. New York: Abbeville Press, 1978, 56-71.

• Childs, Lucinda. “Notes: ’64-’74,” The Drama Review: TDR, Vol. 19, No. 1, Post-Modern Dance Issue (Mar., 1975), pp. 33- 36

• Counsell, Colin. “Dancing to Utopia: Modernity, Community and the Movement Choir,” Dance Research: The Journal of the Society for Dance Research, Vol. 22, No. 2 (Winter, 2004), pp. 154-167

• deLahunta, Scott and Norah Zuniga Shaw. “Constructing Memory: creation of the choreographic resource”. Performance Research, Digital Resources Issue. Eds. Ric Allsopp and Scott deLahunta. Vol 11, No 4. 2007 pp. 53-62.

• Dils, Ann. “The Ghost in the Machine: Merce Cunningham and Bill T. Jones,” PAJ: A Journal of Performance and Art, Vol. 24, No. 1, Intelligent Stages: Digital Art and Performance (Jan., 2002), pp. 94-104

• Eisenbach, Ronit. “Placing Space: Architecture, Action, Dimension, JAE 64:1, May2008. pp. 76–83.

• Fanger, Iris. “Lucinda Childs and Parcours: Celebrating a Quarter Century of the Route Less Taken.” Dance Magazine, October 2000, 67-9.

• Forsythe, William. Improvisation Technologies: A Tool for the Analytical Dance Eye (cd-rom and booklet: Ostfildern, DE: Hatje Cantz Verlag, June 2000)

• Foster, Susan Leigh. “Walking and Other Choreographic Tactics: Danced Inventions of Theatricality and Performativity,” SubStance, Vol. 31, No. 2/3, Issue 98/99: Special Issue: Theatricality (2002), pp. 125-146

• Garwood, Deborah. “DESCENT’S DARE ON A STAIR: Noémie Lafrance in New York,”

• Goldberg, Marianne. “All of the Person’s Person Arriving.” The Drama Review 30, no. 1 (1986): 149-70.

• Goldberg, RoseLee. “Dancing About Architecture,” Scanning: Aberrant Architectures of Diller + Scofidio

• Goldberg, RoseLee. “Space as Praxis”

• Houseal, Joseph. “Lucinda Childs: Counting Out the Bomb.” Ballet Review 36 no.1 (2008): 39-42.

• Hutchinson Guest, Ann. Choreo -graphics. A Comparison of Dance Notation Systems from the Fifteenth Century to the present, Gordon and Breach Science Publishers, 1989.

• Hutchinson, Ann. Labanotation or Kinetography Laban. The system of analyzing and recording the movement, 3 ed. Revised. Illustrated by D. Anderson, Theatre arts books, New York, 1977.

• Jackson, Jennifer.  “Dancing Latin: William Forsythe’s Challenge to the BalleticText,’ Dancing Texts: Intertextuality in Interpretation (p. 101-126).

• Lahusen, Suzanne. “Oskar Schlemmer. Mechanical Ballets?” Dance Research: The Journal of the Society for Dance Research, Vol. 4, No. 2. (Autumn, 1986), pp. 65-77.

• Mattingly, Kate. “Deconstructivists Frank Gehry and William Forsythe: De-Signs of the Times.”Dance Research Journal, Vol. 31, No. 1. (Spring, 1999), pp. 20-28.

• Martin, Randy. “Dance as a Social Movement,” Social Text, No. 12. (Autumn, 1985), pp. 54-70.

• Perez de Vega, Eva . “Choreographed Environments: A Performative Approach to Architecture”

• Potter, Michelle. “A License to Do Anything”: Robert Rauschenberg and the Merce Cunningham Dance Company,” Dance Chronicle, Vol. 16, No. 1. (1993), pp. 1-43.

• Schechner, Richard ; Anna Halprin. “Anna Halprin: A Life in Ritual. An Interview, TDR (1988-), Vol. 33, No. 2. (Summer, 1989), pp. 67-73.

• Siegel, Marcia B. “Dancing in the Trees and over the Roofs,” The Hudson Review, Vol. 24, No. 3. (Autumn, 1971), pp. 466-475.

• Sommer, Sally. “Equipment Dances: Trisha Brown,” The Drama Review: TDR, Vol. 16, No. 3, The “Puppet” Issue. (Sep., 1972), pp. 135-141

• Sontag, Susan. “For Available Light: A Brief Lexicon.” Art in America (December 1983): 100-10.

• Spier, Steven (1998) ‘Engendering and composing movement: William Forsythe and the Ballett Frankfurt’, The Journal of Architecture, 3:2, 135 -146

• Spier, Steven (2005) ‘Dancing and drawing, choreography and architecture’, The Journal of Architecture, 10:4, 349 – 364

• Spier, Steven. William Forsythe and the Practice of Choreography. Routledge 2010.

• Techniques et Architecture on scenography, featuring many sets by architects for dance pieces.

• Weinstein, Beth. “Frédéric Flamand and his Architectural Entourage,” JAE 64:1, May 2008

• Weinstein, “Performative Opportunities for the Parametric,” Spatial Phrases. SEAM2009

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